I used five sources to extract forms in this painting: torn pieces of paper, web-found images of bare trees, children’s coloring pages, square grids and metal webs. These sources are commonly found in daily life, but they are not in a coherent context. I dismantled their recognizable forms, de-contextualized them and rearranged them to create a painting as merged layers of heterogeneity.
Random Studies (reaction producer), 2019, watercolor, acrylic on linen, 198 × 198 cm
Random Studies (rest in peace), 2019, watercolor, acrylic on linen, 198 × 198 cm
Random Studies (coma waste), 2019, watercolor, acrylic on linen, 198 × 198 cm
Random Studies (bouncing rasping), 2017, acrylic, pigment, crayon, spray paint on canvas, 198 × 198 cm
Random Studies (hastier mischief), 2017, acrylic, watercolor on canvas, 172 × 172 cm
Random Studies (hysteric purse), 2017, acrylic, watercolor on canvas, 172 × 172 cm
Random Studies (managerial fort), 2017, acrylic, watercolor, collage on canvas, 172 × 172 cm
I used diverse types of real objects and photo images in this painting. Branches of abandoned Christmas trees on streets, lattices over waterway, butterfly wings, clouds, and fallen leaves. The photos were automatically switched to vectors and I used the vectored shapes combined with painterly techniques and patterns of metal webs. All photographic forms were converted to vectors in this and the following painting. I classify these as abstract landscapes. Machine produced artificial utilities are my models of geometric abstraction, and organic nature forms are my another models of abstraction which have own generative procedures and imbedded random operations. Both of them are surrounding us where we live in. Abstraction is not necessarily be spiritual, because it is ubiquitous in reality.
Random Studies (lacerate sucker), 2017, acrylic, pigment, pastel, spray paint on canvas, 198 × 198 cm
Random Studies (petite loin), 2017, acrylic, watercolor, pigment, crayon, spray paint on canvas, 198 × 198 cm
Random Studies (electromagnetic wounded), 2017, acrylic, pigment, spray paint on canvas, 198 × 198 cm
Random Studies (tan chintz), 2017, inkjet print, spray paint, watercolor, pastel on canvas, 100 × 100 cm
Random Studies (ghostlier consonant), 2017, spray paint, wood stain, oil, pastel on canvas, 100 × 100 cm
Random Studies (chilled lathe), 2017, acrylic, spray paint, pastel on canvas, 119 × 84 cm
Random Studies (credulous viaduct), 2017, spray paint, wood stain, watercolor, acrylic, pastel on canvas, 119 × 84 cm
Random Studies (credulous viaduct), 2017, spray paint, wood stain, watercolor, acrylic, pastel on canvas, 119 × 84 cm
Random Studies (seeded trellis), 2016, spray paint, acrylic on canvas, 122 × 122 cm
Random Studies (determinism seethe), 2016, acrylic on canvas, 122 × 122 cm
Random Studies (unrepresentative breakable), 2016, spray paint, acrylic on canvas, 122 × 122 cm
Random Studies (homy baloney), 2016, spray paint, acrylic on canvas, 122 × 122 cm
Random Studies (untilled procurement), 2016, spray paint, dye pigment, acrylic, collage on canvas, 122 × 122 cm
Random Studies (confiscate overcast), 2016, spray paint, dye pigment, acrylic, collage on canvas, 122 × 122 cm
Random Studies (confiscated cannery), 2016, spray paint, acrylic on canvas, 122 × 122 cm
Random Studies (spookiest visionary), 2016, spray paint, acrylic on canvas, 122 × 122 cm
Random Studies (personable neurotic), 2016, spray paint, dye pigment, acrylic, collage on canvas, 122 × 122 cm
Random Studies (lanky clerking), 2016, spray paint, dye pigment, acrylic on canvas, 122 × 122 cm